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<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description>“Our artists represent game-changers in the world of rhythm. We focus on creative innovators who influence drummers worldwide.” —Publisher, Dan Thress</description><title>musicinmotionfilms</title><generator>Tumblr (3.0; @musicinmotionfilms)</generator><link>http://www.musicinmotionfilms.com/</link><item><title>Billy Martin is a remarkable drummer who has successfully carved...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_loom9uXsxi1r0p3wao1_r3_250.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Billy Martin is a remarkable drummer who has successfully carved out his  own musical path. As the organic beat-maker for Medeski, Martin &amp;  Wood, Martin has successfully blended world-music cultures into his own  style.&lt;br/&gt;&lt;br/&gt;&lt;em&gt;&lt;strong&gt;Riddim: Claves of African Origin&lt;/strong&gt;&lt;/em&gt; traces the roots of African rhythmic systems to the Americas. Learning  these African-based claves is similar to jazz musicians learning chord  changes, voicings, and scale patterns which enable them to improvise on  songs. Claves are our ancient and modern scales. These claves open up  rhythmic subdivisions, substitutions and a much wider vocabulary to draw  upon than playing static beats.&lt;br/&gt;&lt;br/&gt;Call them systems, bell  patterns, or claves, be assured that there is much freedom to be gained  from owning these rhythms. The coordination required to play these  rhythms will challenge and benefit every aspect of your playing.&lt;br/&gt;&lt;br/&gt;&lt;em&gt;This  unconventional method book, by Medeski Martin &amp; Wood drummer Billy  Martin, is a serious four-way coordination workout based on a series of  four-, six-, and eight-beat Afro-clave patterns and a few odd-note  rhythms. Each clave is presented in the author’s unique notational  system, which uses X/s for played strokes and periods for rests. The  book gets progressively more difficult as various bass drum figures and  left-foot/left-hand accompanying patterns are added to the mix. On the  included CD, billy demonstrates many of the examples to help you get an  understanding for how hard these things can groove.&lt;/em&gt; — Michael Dawson, Modern Drummer Magazine&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Riddim is an extremely inventive resource and a must-have for  anyone serious about understanding and applying these roots rhythms to  any style of music.&lt;/em&gt; — David Stanoch, McNally Smith College of Music&lt;/p&gt;

&lt;p&gt;96 pages&lt;br/&gt; Language: English&lt;br/&gt; CD features 87 tracks of drumming&lt;br/&gt; Edited and produced by Dan Thress&lt;/p&gt; 

&lt;p&gt;Visit Billy Martin’s &lt;b&gt;&lt;a href="http://www.billymartin.net/Riddim/Riddim_book.html"&gt;Riddim Website&lt;/a&gt;&lt;/b&gt; as well as Billy’s &lt;a href="http://youtu.be/lANpWdO5rmE"&gt;&lt;b&gt;Riddim Book Tour&lt;/b&gt;&lt;/a&gt; on YouTube.

&lt;/p&gt;&lt;p&gt;Available direct from &lt;a href="http://www.amazon.com/Riddim-Claves-African-Billy-Martin/dp/0967309840/sr=11-1/qid=1165720465/ref=sr_11_1/002-6057627-9788045"&gt;&lt;b&gt;Amazon.com&lt;/b&gt;&lt;/a&gt;

&lt;br/&gt;Distributed worldwide by &lt;b&gt;&lt;a href="http://www.alfred.com/Products/Billy-Martin-Riddim-Claves-of-African-Origin--83-MIM005.aspx"&gt;Alfred Publications&lt;/a&gt;&lt;/b&gt; &lt;/p&gt;</description><link>http://www.musicinmotionfilms.com/post/7882413779</link><guid>http://www.musicinmotionfilms.com/post/7882413779</guid><pubDate>Wed, 27 Jul 2011 07:51:00 -0400</pubDate></item><item><title>Mokhtar Samba is an explosive and intellegent drummer who has...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_lov1b4x1g61r0p3wao1_r1_250.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Mokhtar Samba is an explosive and intellegent drummer who has recorded  and toured with world music superstars, Salief Keita, Youssou N’Dour,  Henri Dikongue, Carlinhos Brown, Richard Bona, Tama, Ultramarine, Joe  Zawinul, Graham Haynes, Nguyen Le, and Jean-Luc Ponty.&lt;br/&gt;&lt;br/&gt;&lt;em&gt;&lt;strong&gt;African  Rhythms and Indepedence for Drumset&lt;/strong&gt;&lt;/em&gt; shows you how to develop some of the  most interesting and powerful rhythms in the world. No matter if you  play jazz, rock, funk, or worldbeat, this book will give you a new sense  of coordination, confidence and swing.&lt;br/&gt;&lt;br/&gt;Each rhythmic group is  broken down in clear western notation that will guide you step-by-step  in mastering these new feels and concepts. This is the book the pros  have been raving about and we guarantee this Book and CD will make you a  better player!&lt;br/&gt;&lt;br/&gt;Rhythms/Countries: Gnawa (North Africa), Maghreb  (North Africa), Mangambe (Cameroon), Bikutsi (Cameroon), Doudoumba  (Guinea &amp; Mali), Sabar (Senegal)&lt;br/&gt;&lt;br/&gt;&lt;b&gt;Vinnie Colaiuta:&lt;/b&gt; &lt;i&gt;The grooves  just LEAP off the page! Mohktar Samba’s illustrations of African  Rhythm’s are wonderfully insightful, enriching, and masterfully done.  Thank you, Mohktar for enlightening all of us!&lt;/i&gt;&lt;br/&gt;&lt;br/&gt;&lt;b&gt;Dennis Chambers:&lt;/b&gt;  &lt;i&gt;This is the best explanation of African rhythms that I’ve heard. I  really love the way Mokhtar breaks everything down and presents it to  you. I like the way he thinks and plays when he’s behind a drumset.&lt;/i&gt;&lt;br/&gt;&lt;br/&gt;CD features 96 tracks of drumming&lt;br/&gt; Bilingual text: English and French&lt;br/&gt; Edited and produced by Dan Thress&lt;/p&gt; 

&lt;p&gt;Available from &lt;b&gt;&lt;a href="http://www.amazon.com/African-Rhythms-Independence-Drumset-Mokhtar/dp/0967309816/ref=sr_1_2?ie=UTF8&amp;s=books&amp;qid=1231815753&amp;sr=8-2"&gt;Amazon.com&lt;/a&gt;&lt;/b&gt;

&lt;br/&gt;Retail distribution by &lt;b&gt;&lt;a href="http://www.alfred.com/Products/African-Rhythms-and-Independence-for-Drumset--83-MIM002.aspx"&gt;Alfred Publications&lt;/a&gt;&lt;/b&gt; &lt;/p&gt;</description><link>http://www.musicinmotionfilms.com/post/8018269323</link><guid>http://www.musicinmotionfilms.com/post/8018269323</guid><pubDate>Tue, 26 Jul 2011 19:01:00 -0400</pubDate></item><item><title>Victor  Rendon is a sought after New York City...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lov1psx0lv1r0p3wao1_r1_250.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Victor  Rendon is a sought after New York City timbalero/drummer, who is  co-leader of The Latin Jazz Orchestra, and sideman with Mongo  Santamaria, Chico O’Farrill, Carlos Patato Valdez, Ray Santos, Grupo  Caribe, The Latin Jazz Coalition, Los Mas Valientes and many others.  Rendon’s work has appeared in Modern Drummer, DRUM!, Percussive Notes,  and Warner Bros. Publications.&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;&lt;em&gt;The Art of Playing Timbales Vol 1&lt;/em&gt;&lt;/strong&gt; is designed for the beginning timbalero, or drumset player, who wants  to understand how to play Afro-Cuban music in a professional setting. If  you have just purchased a pair of timbales, this book will teach you  everything from proper setup, stick sizes, rhythms, independence,  transitions, song forms, and SOLOING. Each music example has a  corresponding track number which can be found on the CD. Simply read the  music exercises, and listen to the corresponding track number on your  CD player.&lt;br/&gt;&lt;br/&gt;Each exercise on timbales is also arranged for  drumset. Conga and bongo students will find their parts in each section  of the book and CD. Please note: to take full advantage of this book,  students are encouraged to learn each part for timbales, drumset,  congas, and bongos.&lt;br/&gt;&lt;br/&gt;Each section features play-along CHARTS and  CD TRACKS with some of NY’s top Latino musicians: Sergio Rivera (piano),  Victor Venegas (bass), Heriberto Rivera (bongo), Anibal Tito Rivera  (congas), and Victor Rendon (timbales and drumset). By using these  play-along charts you will gain valuable realistic playing experience  that will directly translate to your school ensemble or professional  group.&lt;br/&gt;&lt;br/&gt;CHAPTERS: Introduction, Position of the Timbales,  Different Sounds, Clave, Abanico, Cha Cha Cha, Son, Transitions, Bell  Patterns, 6/8, Independence, Mozambique, Solo Phrases, References.&lt;br/&gt;&lt;br/&gt;ALSO  INCLUDED: INTERVIEWS with famous timbaleros: MIKE COLLAZO (Tito  Rodriguez, Celia Cruz, Eddie Palmieri, Tito Puente), JOSE MADERA  (Machito, Fania All-Stars, Pacheco, Tito Puente), and JOHNNY ALMENDRA  (Jovenes del Barrio, Willie Colon, Mongo Santamaria, John Scofield).&lt;br/&gt;&lt;br/&gt;And SOLO TRANSCRIPTIONS from GUILLERMO BARRETO and MANNY OQUENDO.&lt;br/&gt;&lt;br/&gt;CD features 75 tracks of drumming&lt;br/&gt; Bilingual text: English/Espanol&lt;br/&gt; Edited and produced by Dan Thress&lt;/p&gt; 

Available from &lt;b&gt;&lt;a href="http://www.amazon.com/Art-Playing-Timbales-Vol-1/dp/0967309824/ref=sr_1_1/105-7316709-4574804?ie=UTF8&amp;s=books&amp;qid=1193718812&amp;sr=1-1"&gt;Amazon.com&lt;/a&gt;&lt;/b&gt;
&lt;br/&gt;Retail distribution by &lt;b&gt;&lt;a href="http://www.alfred.com/Products/The-Art-of-Playing-Timbales-Vol-1--83-MIM003.aspx"&gt;Alfred Publications&lt;/a&gt;&lt;/b&gt;</description><link>http://www.musicinmotionfilms.com/post/8018588636</link><guid>http://www.musicinmotionfilms.com/post/8018588636</guid><pubDate>Sun, 24 Jul 2011 19:10:00 -0400</pubDate></item><item><title>Miguel “Anga” Diaz (1961-2006) will be remembered as...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lov10peYKP1r0p3wao1_r4_250.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;b&gt;Miguel “Anga” Diaz&lt;/b&gt; (1961-2006) will be remembered as one of the greatest  congueros of all time. Known for his remarkable soloing and multiple  conga/percussion inventions, Cuban-born Diaz, represents the link  between the past, present, and future of conga playing.&lt;br/&gt;&lt;br/&gt;&lt;em&gt;&lt;strong&gt;ANGA MANIA!&lt;/strong&gt;&lt;/em&gt; is our instructional DVD in which Anga demonstrates many of his systems  and forms he uses to develop dexterous patterns, riffs and solos. Each  example is demonstrated in a solo context then in a duet performance. In  the MARCHA, GUAGUANCO and SOLOING sections Anga reveals his  incomparable patterns and variations on five congas. Duet performances  with virtuoso Cuban pianist GABRIEL HERNANDEZ help illustrate Anga’s  ideas while he breaks-down his soloing phrases, playing each slowly and  explaining the origin of each riff.&lt;br/&gt;&lt;br/&gt;In the MIXING STLYLES  section, Anga overdubs three layers of different drumming styles, mixing  funk with the Cuban rhythms known as Pilon and Batumbata. He also shows  how congas can bring an organic feel to the DJ-based styles such as  jungle in duets with DJ GILB-R and an improvised trio segment featuring  Anga playing his “Set-Cubano” mixing congas, bells, and drums (with both  hands and feet) to create a phenomenal flow of rhythm.
&lt;/p&gt;&lt;p&gt;&lt;b&gt;Modern Drummer Magazine:&lt;/b&gt; &lt;i&gt;Miguel “Anga” Diaz certainly knows conga traditions, but his flame burns brightest when breaking down barriers and mixing styles. That’s one reason he has been sought by heavy hitters like Irakere, Danilo Perez, Roy Hargroove, Ruben Gonzales, and Steve Coleman.

This video’s centerpiece is Anga’s mastery of the five-conga setup, with which he creates patterns suggesting a ” harmonic ” tumbao. The one-hand/one-stick patterns combining congas and percussion are also exciting. The video doesn’t emphasize breakdowns, but the accompanying booklet, expertly transcrided by Victor Rendon, serves as a clear, studious guide to Diaz’ patterns.

Performance highlights include hot duets with pianist Gabriel Hernandez, and for something completely different, a street-energy jam with DJ GILB-R. From start to finish, Diaz’ grooves are amazing. But it’s ultimately his unbridled joy in playing that’s most winning.—Jeff Potter&lt;/i&gt;
&lt;/p&gt;&lt;p&gt;NTSC Format, Region 0&lt;br/&gt; In Spanish with English subtitles&lt;br/&gt; PDF transcriptions by Victor Rendon&lt;br/&gt; 52 Minutes, Digitally mastered&lt;/p&gt; 

Watch a clip from &lt;b&gt;&lt;a href="http://youtu.be/5aBuFXnICHY"&gt;ANGA MANIA!&lt;/a&gt;&lt;/b&gt; on YouTube

&lt;p&gt;Available from &lt;b&gt;&lt;a href="http://www.amazon.com/Anga-Mania-Miguel-Diaz/dp/B000PHXZH8/ref=sr_1_4/002-6057627-9788045?ie=UTF8&amp;s=dvd&amp;qid=1177294145&amp;sr=8-4"&gt;Amazon.com&lt;/a&gt;&lt;/b&gt;
&lt;br/&gt;Retail distribution by &lt;b&gt;&lt;a href="http://www.alfred.com/Products/Miguel-Anga-Diaz-Anga-Mania--83-MIM006.aspx"&gt;Alfred Publications&lt;/a&gt;&lt;/b&gt; &lt;/p&gt;</description><link>http://www.musicinmotionfilms.com/post/8018042366</link><guid>http://www.musicinmotionfilms.com/post/8018042366</guid><pubDate>Sun, 24 Jul 2011 18:55:00 -0400</pubDate></item><item><title>Billy Martin’s Riddim Book Tour on YouTube</title><description>&lt;iframe width="400" height="300" src="http://www.youtube.com/embed/lANpWdO5rmE?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Billy Martin’s &lt;b&gt;&lt;a href="http://youtu.be/lANpWdO5rmE"&gt;Riddim Book Tour&lt;/a&gt;&lt;/b&gt; on YouTube&lt;/p&gt;</description><link>http://www.musicinmotionfilms.com/post/8126944035</link><guid>http://www.musicinmotionfilms.com/post/8126944035</guid><pubDate>Sun, 24 Jul 2011 05:00:00 -0400</pubDate></item><item><title>Anga’s solo from ANGA MANIA! </title><description>&lt;iframe width="400" height="300" src="http://www.youtube.com/embed/5aBuFXnICHY?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Anga’s solo from &lt;b&gt;&lt;a href="http://youtu.be/5aBuFXnICHY"&gt;ANGA MANIA!&lt;/a&gt;&lt;/b&gt; &lt;/p&gt;</description><link>http://www.musicinmotionfilms.com/post/8126827263</link><guid>http://www.musicinmotionfilms.com/post/8126827263</guid><pubDate>Sat, 23 Jul 2011 08:31:00 -0400</pubDate></item></channel></rss>

